IMDb Bottom 100: Sgt. Pepper’s Lonely Hearts Club Band

Sgt. Pepper’s Lonely Hearts Club Band

Sgt Pepper’s Lonely Hearts Club Band is a jukebox musical from 1978, which attempted to update Beatles songs with covers by more recent musical stars. Unfortunately, they didn’t cast very many actual actors. Or actually write much of a script, for that matter. And they cast Peter Frampton and the Bee-Gees as the lead characters. It isn’t good.

Donald Pleasence may have claimed that Pumaman was the worst film he ever did, but I have to assume that Sgt. Pepper’s was a close second. The movie is more of a visual companion to the star-studded soundtrack than it is any kind of narrative film. That said, most of the covers are more-or-less acceptable, and some are even pretty good. Given that was the primary purpose of the movie, I suppose it was a success on some level. However, as a film, it is absolute nonsense. Rock operas tell a story through the lyrics and music over the course of an album, and can be adapted to film pretty well. Both famous rock operas by The Who were adapted into cult favorite films, for example (Quadrophenia and Tommy). However, those stories weren’t just “best of” collections of songs by The Who: they were deliberately crafted to tell a story. Assembling unrelated songs in order to tell a story can be done for sure, but there has to be thought put into the arrangement (y’know, like a mix tape). In Sgt. Pepper’s case, it seemed like they just wanted to feature hits rather than tell a story. The result is a feature-length, confused music video for an album of Beatles covers. It isn’t easy or interesting to watch in general.

Musical movies from the same time period with plots
Musical movies from the same time period with plots

It is difficult to criticize anything else about the movie, because there is hardly any dialogue or acting to speak of. What writing there is (the plot) is just as incoherent as you can imagine. There is a quest to retrieve lost instruments, a hot air balloon action scene, and one of the most amazing/horrible unexpected endings I have ever seen to a movie. After Strawberry Fields (Peter Frampton’s love interest) is killed, a funeral scene takes place over the songs “Golden Slumbers” and “Carry that Weight”, the later as they carry the casket away. After the funeral, Peter Frampton’s character attempts to kill himself by jumping off of a building. However, just as he leaps, a weather vane in the image of Sgt. Pepper comes alive, freezes time, resurrects his dead girlfriend, resolves all of the dropped plot lines, and ends the film all while singing a passionate rendition of “Get Back”. It is an experience that everyone should sit through.

This is a weather vane in the process of resurrecting the dead
This is a weather vane in the process of resurrecting the dead

Honestly, if it hadn’t been for the hilarious incompetence of the ending, I would have thoroughly hated this movie. However, it is hard to argue with a baffling spectacle like that. Otherwise, the movie is just boring. The story isn’t paced well or fleshed out, and there isn’t much tying the scenes together into a narrative. Sgt Pepper’s is so barely a film, I almost feel like it shouldn’t qualify for the IMDb Bottom 100. I can’t help but wonder if that contributed to the fact that it is no longer on the list, getting overtaken by perhaps more competently made films. In any case, it wasn’t a particularly painful experience to sit through despite being boring, and some of the covers were worth sitting through the movie. However, I can only recommend watching this movie for the ending. I have never seen such a nonsensical, improvised resolution to a plot. Then again, I suppose the plot itself was pretty nonsensical and improvised to start with.

IMDb Bottom 100: Super Mario Bros

Super Mario Bros

With Bob Hoskins’s recent death, a lot of bad movie fans have been going back to check out the big budget disaster that was Super Mario Bros. I recently discovered that the work that Bob Hoskins referred to as the worst film he ever made was actually on the IMDb Bottom 100 some years ago (although it has sense dropped out of the list). So, I decided to revisit this flop from my early childhood as well.

Super Mario Bros, like many adaptations gone awry, made the crucial mistake of angering the source material’s existing fan base. The script and direction should add their own voice to the work, but it is a delicate balance to hold (and it often goes badly). First and foremost, the negative popular reception of this film can be traced directly to this disgruntling of the fan base. There were a lot of liberties taken with the stories and the characters in the film that did not resonate well with the existing, massive base of passionate Nintendo fans. However, I don’t think that all of the creative decisions were necessarily bad, but they were certainly risky (and didn’t pay off).

Perhaps the most evident change from the source material are the peculiar decisions on the scenery and set design. Super Mario Bros. the game is well known for bright colors and castles, whereas the movie decided to go with a grungy, dystopian sci-fi appearance. I’m tempted to say that the film adaptation of Teenage Mutant Ninja Turtles may have influenced that decision (and many others), though I thought that the grungy scenery worked much better with that material. Likewise, the realistic practical effects seemed wholly unnecessary given the highly cartoonish source material. That said, I was generally impressed with them, despite them not really fitting the story well. Given the time, the effects on the Goombas and Yoshi are moderately impressive. However, that isn’t what people wanted to see. The fans wanted to see the loveable, puffy-cheeked Yoshi that they loved. Instead, they got a realistic, miniature carnivore. It was a risky decision, and as stated previously, was one that did not pan out well.

Another oft-complained about aspect of the film were the unnecessary changes to the existing characters. Most notably, fans were enraged at the absence of Princess Peach, the altered relationship between Mario and Luigi (not Bros?), and the name change to Dennis Hopper’s character (King Koopa vs Bowser). I personally think of these as pretty minor gripes in the larger picture, but they are indicative of the mentality of the film-makers. They (direction, writing) didn’t particularly care about the source material, and were not afraid to change details that fans cherished to tell their story. However, when dealing with such a high-profile adaptation with an existing, hyper-passionate fan base; these sorts of minor details need to be treated with a higher gravity than with your typical adaptation. The recent Marvel movies, for instance, have managed to keep the fans on their side with consistent nods and acknowledgements, despite having to change these sorts of details from the source comics. Still, it is unsteady ground to tread, and fan bases can turn on a dime.

The acting and dialogue in Super Mario Bros. is, in all honesty, fucking abysmal. However, I can’t help but feel like I should be lenient about them. The whole movie feels like it was primarily catered to children (which makes the dark set design and sex jokes a bit more odd), so that gives the dialogue and acting a naturally lower bar in that lens. However, it was not marketed that way: this was meant to be a blockbuster for the whole family, not just a spectacle for children. Looking at the movie from that perspective (the one that people would have had at the theaters), it is pretty much unforgivable for the dialogue to be this bad. I’m surprised the script got greenlit at all. There are three writers listed on IMDb, so it is plenty possible that the script went through some significant reworking. Still, the final product is just horrid. The actors, if you can believe Leguizamo, were so incredibly miserable on set that I am shocked they put in the hammy effort that they did for this wreck. Admittedly, I actually liked seeing Hopper’s cheesy rendition of Bowser. If he was unhappy in the role (I’m sure he was), he certainly didn’t show it.

Despite all of the issues with this film and its low quality, I am not surprised that it is no longer listed in the IMDb Bottom 100. Compared to everything else I have watched in this challenge, Super Mario Bros was a breeze, and damn near enjoyable. If I had been watching with a group of friends, it would have been a good time. I couldn’t say that for most of the schlock I have had to watch for this. This is sort of on the line between a “good” bad movie and a “bad” bad movie, but I would generally recommend checking it out if you dig riffing on crappy movies, and especially if you haven’t seen it in a number of years. It is pretty astounding.

Introducing: (God)Awful Movies

Welcome to a new segment of Misan[trope]y, called [God]Awful Movies!

There has been a bit of a boom as of recently with religious-themed movies in theaters, what with God’s Not Dead, Noah, Heaven is for Real, etc. (and in case you didn’t know, there is a high-budget remake of “Left Behind” in the pipeline, starring none other than Nic Cage). I intend to review some of these here for sure, but my primary focus is going to be on the more obscure features I come across (Mr. T and Corbin Bernsen’s Judgment, for instance). I’m also going to take aim at bad mythology-based movies (Hulk Hogan played Zeus once), sci-fi/religious hybrids (Legion, Constantine, Priest), and much more. Also, BibleMan. There is going to be a lot of BibleMan here.

In the meantime, enjoy this trailer for the upcoming God’s Not Dead knockoff (I hope that doesn’t become a regular thing), A Matter of Faith, which is due to come out in September.

http://www.youtube.com/watch?v=yiRGdJ2uPwk

You can read more about it on The Friendly Atheist.