Today, as part of my series on the worst movies of 2016, I’m taking a look at one of the year’s most polarizing blockbusters: Suicide Squad.
The plot of Suicide Squad is summarized on IMDb as follows:
A secret government agency recruits some of the most dangerous incarcerated super-villains to form a defensive task force. Their first mission: save the world from the apocalypse.
Suicide Squad was written and directed by David Ayer, whose other credits include Fury, Sabotage, End of Watch, SWAT, Training Day, and The Fast and The Furious.
The Suicide Squad team debuted in DC comics in The Brave and The Bold #25 in 1959, though only the name truly remains of the initial incarnation now. Most of the elements now popularly recognized come from the modern version of the series that started with a revamp in the 1980s by John Ostrander, John Byrne, and Len Wein. The concept sees super-villains compiled together into a strike team to carry out tasks for the government, in exchange for their freedoms. The team has sporadically featured such notable DC villains as Poison Ivy, Captain Cold, The Penguin, and Black Adam, on top of more consistent core members like Deadshot, Captain Boomerang, and Harley Quinn, and has a regularly rotating cast of members.
The cast of Suicide Squad is made up of Margot Robbie (The Wolf of Wall Street, Whiskey Tango Foxtrot), Will Smith (Wild Wild West, Men In Black, I Am Legend, Independence Day, Winter’s Tale, After Earth), Viola Davis (Fences, State of Play), Jared Leto (Fight Club, Mr. Nobody, Requiem For A Dream, Alexander), and Jai Courtney (Jack Reacher, I, Frankenstein, Terminator Genisys).
The cinematographer for the film was Ramon Vasyenov, who shot the movies Fury, End of Watch, Charlie Countryman, and The East. The editor for Suicide Squad was John Gilroy, who has cut a handful of notable movies, including Nightcrawler, Pacific Rim, Warrior, Michael Clayton, Suspect Zero, and Billy Madison.
The musical score for the film was provided by Steven Price, who also worked on Fury, The World’s End, Gravity, and Attack the Block, among other projects.
A number of scenes of Killer Croc’s backstory were removed from the final theatrical cut, including depictions of his upbringing as a social outcast due to his physical appearance. Likewise, it was revealed that Croc crossed paths with Batman while working for numerous Gotham crime bosses. There were also scenes displaying his affinity for making sculptures out of discarded materials, and a sequence where he becomes sick at the helicopter escort to Midway City, prompting him to throw up half-digested pieces of goat.
Thanks to the financial success of Suicide Squad, there is a rumored follow-up in the pipeline to be called Gotham City Sirens, which is likely to focus on Harley Quinn, along with a handful of other Gotham City figures.
The initial trailer for Suicide Squad was set to the Queen song Bohemian Rhapsody, and wound up building a significant amount of positive buzz for the film. Thanks to it going viral, it has racked up over 78 million views on YouTube since its release.
It is popularly believed that the mixed-to-negative reactions to Batman v Superman: Dawn of Justice, combined with the overwhelmingly positive reception to Deadpool, led to a handful of re-shoots and re-cuts to Suicide Squad at the last minute in order to lighten its tone and inject humor.
A number of alternate casting rumors surrounded the development of Suicide Squad. Apparently, Tom Hardy dropped out of the role of Rick Flag in order to do The Revenant, and Ryan Gosling flat-out turned down the role of Joker due to the contract terms mandated by the studio.
Apparently, Jared Leto’s method acting for the role of Joker led to some less-than-savory antics on set. Reports indicated that he sent unwanted gifts to his fellow cast members, including packages containing used condoms, live rats, and bullets.
Financially, Suicide Squad was a significant hit: it grossed roughly $745 million worldwide on a production budget of $175 million. Critically, however, it proved to be one of the most polarizing films of the year. While it currently holds an IMDb user rating of 6.4/10, it also has a Rotten Tomatoes score of 26% from critics, and made many critics’ lists of the worst films of 2016.
It is worth noting that the version of Suicide Squad that I watched was the theatrical cut. For home video release, the advertising touted an improved “extended cut”, but I wanted to see exactly what audiences saw in the theaters, and what the producers and the studio thought was fit for the widest release.
One of the most common complaints I have seen about Suicide Squad is that the first half plays more like an extended music video than a movie. When I first heard that criticism, I assumed that it was embellishment. I was genuinely surprised at how apt that observation is: the first half hour of the movie is a strung-together sequence of pop songs that gave me flash backs to Sucker Punch.
Once the story does start moving, it is plagued by pacing issues. Some characters get overly-detailed introductions that drag the progression to a halt, while others seem to appear out of nowhere. The relationships between characters are vague, and some have little-to-no dialogue to develop themselves. Most of the enemies the team fight are literally faceless and essentially powerless, removing any kinds of stakes or threats from the table. Worse yet, the central mission at the heart of the story isn’t adequately revealed to the audience, making it unclear what story progress would even look like if it happened. The combination of all of these elements is a poorly built story framework that relies on undeveloped characters to carry it along, with no intrigue or tension to be found.
All of that said, there are some good things to say about Suicide Squad. While some of the CGI is definitely rough, there was clearly a lot of time and effort put into Killer Croc’s design and execution, and the result is arguably pretty cool. Unfortunately, he is also one of the characters with the least amount of screen time and development, which may have been due to the cost and labor involved with the makeup. Still, the character felt like a massive squandering of potential.
As far as other positives go, the Batman and Flash cameos were almost certainly the best parts of the film. I assume these were mostly included to make audiences excited for future interactions and films with these characters, and I have to say, I think the tactic worked. Even moreso than after Batman v Superman, I want to see Battfleck in his own feature, getting up to Batman shenanigans. Unfortunately, these cameo sequences are very brief, and front-loaded in the movie, so they don’t add much value to the film as a whole.
Overall, Suicide Squad is mostly a trainwreck. The writing, action, and editing all left a lot to be desired. The performances were hard to judge, because the cast clearly didn’t have anything here to work with. All of that said, from the perspective of pure spectacle, there is some value here. There is noise and color, and if that is what you want from a blockbuster, this is where you can find it. For anyone outside of that description who is not a die-hard DC fan, there is just no way I could recommend this film.