Tag Archives: cleveland

Bargain Bin(ge): A Separate Reality Records (Cleveland, OH)

Recently, I took a quick drive up to Cleveland, OH, which was my first time in the prominent Great Lakes city. Admittedly, I only knew as much as the internet had told me of it.

As I usually do when exploring a new city, I set aside some time to hunt for film-related used media: soundtrack records, DVDs, VHS, laserdiscs, etc.

One of my stops in the city was a trippy little record store called A Separate Reality, which initially stuck out to me due to its prominent eyeball logo.

wp-1476147671412.jpg wp-1476147658328.jpgWhile A Separate Reality doesn’t have any movies among its considerable inventory, this is the kind of record store I always hope to find. The selection of vintage soundtracks was as massive as it was eccentric, featuring everything from science-fiction classics to italian horror flicks to blaxploitation legends to children’s films. The selection included so many notables that I’m only going to spotlight only a handful of them here, and recommend that people check this place out on their own.

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The Exorcist II: The Heretic

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The Exorcist II is one of the most infamous Hollywood failures of all time, and a movie I have covered on the blog before. However, it also features a score from famed composer Ennio Morricone, who recently (finally) won an Academy Award for The Hateful Eight. However, if you are a fan of his work on movies like The Thing, Once Upon A Time In The West, or Once Upon A Time In America, you might be in for a shock with his score here. It’s…well…distinct.

City of the Living Dead

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City of the Living Dead is a 1980 film by Lucio Fulci. The score was composed by Fabio Frizzi, a frequent Fulci collaborator who also provided music for his films A Cat In The Brain, The Beyond, and Zombie, as well as the bizarre 1977 Italian version of Godzilla by Luigi Cozzi.

Hercules

hercules19831Hercules is a 1983 movie directed by Luigi Cozzi for Cannon films, and stars Lou Ferrigno as the legendary demi-god. Even if you haven’t seen this movie, you may have been exposed to the infamous clip of Ferrigno throwing a bear into outer space. I did a full write-up on this bizarre movie a while back, and I highly recommend it.

The score for Hercules was provided by Pino Donaggio, who is probably best known for his work with Brian De Palma (Carrie, Blow Out, Raising Cain, Body Double, Dressed To Kill) and Joe Dante (Piranha, The Howling).

Americathon

Americathon is a strange relic of a movie, that could only possibly come from 1979. It is a satiric future vision of a United States dominated by Jimmy Carter and liberals, with a focus on environmentalism to the detriment of private business and the national debt. It is a weird window into an America before the Reagan presidency, and looking at it now is kind of bizarre. There is a whole lot of xenophobia and racism baked into this feature, and it doesn’t seem to have much of a point to it, but from a socio-political lens, it is an interesting movie to observe.

I first caught this movie at the 2016 B-fest in Chicago, and it is one of the features that has most stuck with me. However, that is admittedly mostly because Meat Loaf fights a car in it. The politics are kind of interesting too, though. The soundtrack includes tracks from The Beach Boys, Eddie Money, and Elvis Costello, among a handful of others, which makes it somewhat notable.

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Bargain Bin(ge): Blue Arrow Records (Cleveland, OH)

Recently, I took a quick drive up to Cleveland, OH, which was my first time in the prominent Great Lakes city. Admittedly, I only knew as much as the internet had told me of it.

As I usually do when exploring a new city, I set aside some time to hunt for film-related used media: soundtrack records, DVDs, VHS, laserdiscs, etc.

My first stop in Cleveland was Blue Arrow Records, located in the Waterloo Arts District, and surrounded by buildings adorned with street art and sculpture gardens. It definitely has a cool vibe to it, synthesizing a hip and eccentric interior with an anachronistic external aesthetic, punctuated by the eponymous neon blue arrow.

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As far as the selection goes, Blue Arrow is a pure record store, and there aren’t any significant wayward VHS or DVDs to be found hiding out on their shelves. However, they do have a not-to-shabby collection of soundtrack records, of which a number caught my eye.

To Live And Die In LA

To Live And Die In LA is a 1985 crime movie directed by William Friedkin, the lauded New Hollywood auteur who helmed The French Connection and The Exorcist. In many ways, To Live And Die In LA is an attempt to re-capture the success of The French Connection, with a distinctly 1980s flair. One of the keystones of that 1980s aesthetic that Friedkin wanted for the film was the soundtrack, which is provided in entirety by the band Wang Chung. Seriously. Of course, when I saw this soundtrack on the shelves at Blue Arrow for $3, it absolutely went home with me.

I recently saw To Live And Die In LA for the first time, which was spurred on after reading William Friedkin’s autobiography. While it is a bit uneven, the movie is well designed, well acted, features one of the greatest car chases in film history, and is at least partially responsible for the rise of Willam Dafoe. It is a pretty good time, subverts the tropes and expectations of the genre, and deserves a second look (to say the least). The Wang Chung soundtrack is just the cherry on top of an already pretty damn cool movie, and I highly recommend seeking it out.

Over The Top

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Over The Top is a 1987 Canon feature starring Sylvester Stallone that I covered on the blog some time ago. I regard this as a must-watch for bad movie fans, and it encapsulates a lot of what makes late 1980s cheese-ball flicks what they are. The soundtrack for the film is no exception, featuring such acts as Asia, Sammy Hagar, Kenny Loggins, and Sylvester Stallone’s brother, Frank Stallone.

Assault on Precinct 13

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Assault on Precinct 13 is the movie that explosively introduced the world at large to John Carpenter. I personally still regard it as one of his best movies, and perhaps the most iconic siege thriller ever put to film. As with most of Carpenter’s films, it also features a synthesizer score created by the director, which is defined by simple rhythms and haunting drones. I like the score to Assault on Precinct 13 almost as much as the movie itself, and would have picked it up if it hadn’t been so expensive. There’s just no such thing as cheap John Carpenter vinyl these days.