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My Bloody Valentine (2009)
Today, I’m going to look at the 2009 3D remake of the 1981 horror movie, My Bloody Valentine.
The plot of My Bloody Valentine is summarized on IMDb as follows:
Tom returns to his hometown on the tenth anniversary of the Valentine’s night massacre that claimed the lives of 22 people. Instead of a homecoming, Tom finds himself suspected of committing the murders, and it seems like his old flame is the only one that believes he’s innocent.
The cast of My Bloody Valentine includes Tom Atkins (Maniac Cop, The Fog, Halloween III), Jensen Ackles (Supernatural), Jaime King (Pearl Harbor, Sin City), Kerr Smith (Final Destination, Dawson’s Creek), Edi Gathegi (Gone Baby Gone, X-Men: First Class), Kevin Tighe (Rose Red, Newsies, K-9, Another 48 Hours), and Megan Boone (The Blacklist).
The screenplay for the film is credited to Todd Farmer (Drive Angry, Jason X) and Zane Smith, the latter of whom has no other listed credits on IMDb. Additional credits are given to the writers of the original 1981 screenplay: John Beaird and Stephen Miller.
My Bloody Valentine was directed and co-edited by Patrick Lussier, who also directed Dracula 2000, The Prophecy 3, White Noise 2, and Drive Angry, and cut such films as Scream, Vampire In Brooklyn, Mimic, Scream 2, Scream 3, New Nightmare, and Red Eye.
Lussier’s co-editor for the film was Cynthia Ludwig, who served as an assistant editor on Carnosaur 3, Rush Hour 2, Scary Movie 2, and numerous episodes of Mr. Robot, Warehouse 13, and Justified.
The cinematographer for My Bloody Valentine was Brian Pearson, whose other credits include Into the Storm, Final Destination 5, Step Up All In, American Mary, and Drive Angry.
The musical score for the film was composed by Michael Wandmacher, who also provided music for the films Drive Angry, Piranha 3D, Punisher: War Zone, and From Justin To Kelly.
My Bloody Valentine is distinctive in that it was one of the earliest films in the modern 3D gimmick boom, and was even the first R-rated movie to use the modern 3D “RealD” technology. Part of the movie’s eventual financial success can almost certainly be attributed to the novelty of the technology at the time.
Interesting, there is a notable change in this remake from the ending of the original My Bloody Valentine – the killer’s identity is swapped, possibly to deliver a surprise to audience members familiar with the original film.
My Bloody Valentine was made on a production budget of $15 million, on which it took in a lifetime international theatrical gross of $100.7 million, making it hugely profitable. However, it didn’t fare as well critically: it currently holds an IMDb user rating of 5.5/10, alongside Rotten Tomatoes scores of 57% from critics and 44% from audiences.
In my opinion, the biggest issues with My Bloody Valentine are the central performances. Outside of a couple of stalwart character actors, the burden of the movie falls on a weak central cast of television actors who don’t seem equipped to bear the weight. The nature of this story relies on central characters that the audience can identity and empathize with, but in this case, they are all paper thin and far from realistic in their language and demeanor.
It is to the point that I am curious if there was director influence in the matter: did Lussier want the actors to put in shitty performances, for the sake of homage to the golden age of slashers? In his review for the Los Angeles Times, Mark Olsen notes that “the filmmakers have created something too authentic in spirit to the original film, as it also fairly quickly becomes a plodding chore to watch.” Other reviewers have noted the film’s adherence to “old school slasher rules,” and its general appeal to horror genre fans in particular. I think it may be too easy to say that the movie is “bad on purpose,” but I think there was some consideration of the genre’s traditional expectations and norms incorporated into the casting, directing, and writing of the movie.
Next to the less-than-ideal central performances, the biggest issue with My Bloody Valentine are the 3D effects. Frankly, they have aged incredibly poorly less than a decade after the film’s release, to the point that they look amateurish and cartoon-like now. Unfortunately, this is the nature of computer-heavy digital effects in a marketplace that sees constant technological development and improvement: the effects age very quickly as the standards rise. That said, the effects were the primary selling point for the film to begin with, and the 3D gimmick is what brought people to the theaters and made the movie money. Essentially, the movie wouldn’t exist without them. So, it is probably a fair trade-off that the movie lacks longevity because of the effects, given the effects gave it life to begin with.
Overall, My Bloody Valentine has the right spirit of wanting to be a throwback horror film, but it is significantly hindered by the modern 3D gimmick, and it is harder to watch now because of it than it should be. Despite the glory of Tom Atkins being present, too many other movies have done this same sort of concept better. That said, this is still one of the better and more watchable horror reboots of the 2000s, and is a fun enough ride for genre fans.
Misan[trope]y 