Today’s entry into the continuing spotlight on bad movies by good directors is Francis Ford Coppola’s Twixt.
Twixt was written, produced, and directed by New Hollywood legend Francis Ford Coppola, whose works include Apocalypse Now, The Conversation, The Godfather, The Godfather Part 2, The Godfather Part 3, Dracula, The Outsiders, and The Cotton Club. However, he is also well known for having one of the steepest career declines in cinema history, in which he descended from being one of the greatest working directors in the business to being an at-best middling player.
The cinematographer for Twixt was Mihai Malaimare Jr., who has most notably shot The Master, Tetro, Youth Without Youth, and A Walk Among The Tombstones.
The editor for the film was Glen Scantlebury, who also cut Armageddon, Con Air, Stolen, and Francis Ford Coppola’s 1992 take on Dracula.
The makeup and special effects work on Twixt was provided by a team that included Aurora Bergere (Joy, Gone Girl, The Master, Argo), Doug E. Williams (Moneyball, Howard The Duck), and Dick Wood (The Running Man, Freejack, Starman, Jaws 3-D).
The visual effects unit for Twixt included Michal Cavoj (Salt, Blackhat), Catherine Craig (Van Helsing, Willow), Ales Dlabac (Perfume, Season of the Witch), David Ebner (The Happening, Dracula 2000, League of Extraordinary Gentlemen, The Core), Benjamin Hawkins (Spawn, After Earth), and Lukas Herrmann (Snowpiercer, Perfume), among many others.
The cast of Twixt includes Val Kilmer (The Island of Dr. Moreau, Heat, Red Planet, Kiss Kiss, Bang Bang, Batman Forever, Top Gun, Alexander), Bruce Dern (Nebraska, The Hateful Eight, The Burbs, Bloody Mama), Elle Fanning (Babel, Super 8), Ben Chaplin (The Thin Red Line), Joanne Whalley (Willow, The Man Who Knew Too Little), David Paymer (Get Shorty, Drag Me To Hell), Ryan Simpkins (Space Warriors, A Single Man), and Tom Waits (The Cotton Club, Mystery Men, Seven Psychopaths).
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a mysterious young ghost named V. He’s unsure of her connection to the murder in the town, but is grateful for the story being handed to him. Ultimately he is led to the truth of the story, surprised to find that the ending has more to do with his own life than he could ever have anticipated.
Twixt currently holds Rotten Tomatoes aggregate scores of 29% from critics and 18% from audiences, alongside a 4.8 user rating on IMDb. The movie only got a limited theatrical release, which means that it came up far shy of its $7 million budget.
The cinematography and visuals in Twixt for the most part look pretty good, if not a bit over the top, but there’s certainly no indications of this being Coppola’s handiwork. It looks like it could have been a debut picture for any semi-anonymous indie director nowadays, which isn’t saying much. The colors are certainly memorable throughout the movie, but I couldn’t help but feel like it went a bit overboard with the contrast.
However, Twixt does have a huge weakness that makes it nearly unwatchable: the writing lacks even the slightest semblance of coherence, as if Coppola was deliberately trying to outdo Twin Peaks and went a few steps too far into the void in the process. It might not be immediately evident from reading this blog, but I’m for a good art movie. That said, there is such a thing as trying too hard, and this movie absolutely reeks of it. My guess is that Coppola over-corrected in the hopes of creating a laudable and redeeming art movie, and the result is transparently desperate.
Personally, I don’t think Twixt is a total failure of a movie. There are certainly some redeeming aspects to it, and I understand why some people have found it enjoyable. Personally, however, I really couldn’t get past how muddled the story and writing were. Despite some really good performances from Val Kilmer and Bruce Dern, as well as some decent cinematography, I would generally advise avoiding Twixt. Unless you have a high tolerance for nonsense or are on a completion crusade through the filmography of Francis Ford Coppola, give Twixt a pass.